Reading this review, I was struck by the American reviewer’s incomprehension of “the dichotomy … of accessibility vs difficulty” (an incomprehension I share to a great extent, as you might know if you’ve read my post on Geoffrey Hill). I was set to wondering what it is that makes this tribalism so British. It’s not as though American poetry isn’t riven by its own tribalisms–it seems to have a barrelload of them–so why was it unfamiliar to Mr Schwabsky? Then it struck me: could it be that class, that perennial British obsession, is at the root?
What think you?

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